Hank: Hello and welcome to Dear Hank and John. This is the weekly podcast where I, Hank Green, and usually John Green but this week Emma Blackery answer your questions, give you dubious advice, and bring you all the week's news from both Mars and AFC Wimbledon. But first, Emma!
Emma: Yes.
H: You have a poem for us?
E: I do! I decided I would fill in for John and give a nice romantic sort of poem and I'm going to dedicate it to John. I think he'll enjoy this one. OK, are you ready?
H: Yes.
E: OK.
"Daniel my brother you are older than me
Do you still feel the pain of the scars that won't heal?
Your eyes have died but you see more than I
Daniel you're a star in the face of the sky"
H: Thank you Emma. (Emma laughs) I'm glad this is becoming a tradition. As long as John is gone, all of the poems will be Bernie Taupin lyrics, the man who wrote almost all of Elton John's songs. Thanks to Maureen Johnson for starting off that tradition and thank you, Emma, for continuing it.
E: You're welcome. It's a legacy now.
H: So for everyone who doesn't know, Emma Blackery is a YouTuber and a musician and you're something of an advice giver yourself so I'm excited to welcome you on the show. Tell us about yourself.
E: Um, OK. Jeez. Um, I always hate that question. "So tell us all about yourself". How could you? Basically, I started making YouTube videos in 2012. I originally started because I wanted to be a musician and post my own awful self-made music videos which were just me standing in front of a tripod singing which is why I call my channel Emma Blackery. And then I started reading Fifty Shades of Grey online when it was released thinking "Hey! Everyone's reading Twilight, I'm gonna read Fifty Shades of Grey". And after they nearly sued me for doing that, for reading all of it, copyright infringement and slagging off the book, I decided to start doing more, like, comedy vlogs and stuff and that's kind of taken over my channel now. So it's kind of like my channel is a mixture of music/comedy/not reading copyrighted books.
H: Well the funny thing about reading copyrighted books is it's only OK if you're slagging off on it, to use your phrase that I do not actually know the meaning of.
E: Oh yeah. Sorry, that's a, that's a, that's a UK thing. We have lots and lots of slang. But slagging off basically just means you're talking bad about it. Trash talking I believe you would say which sounds so weird in a British accent, you know. Trash talking. "Are you trash talking me?"
H: Well it's like me saying, it's like me saying slagging off.
E: That sounds really stupid.
H: Yeah. So... But yeah. I mean if you're actually critiquing the thing that you are reading then it's OK to read the copyrighted material as long as you don't read all of it in sequence.
E: That's the problem.
H: Which I think is what you did.
E: That's what I did. Word for word. Every single word.
H: Yeah. You shouldn't have done that.
E: I think, I think I probably could have applied the fair use thing if I'd just taken some things out of context and read a few lines.
H: Yes. Yes, that would have been fine. Yes. That is...
E: But I made 40 minute long videos (Hank laughs) just reading a chapter.
H: Just an audiobook-
E: Pretty much, yeah.
H: -of Fifty Shades of Grey but with occasional commentary about how bad it is. I'd pay for that!
E: But the worst part is, the worst part about it is a couple of weeks before mine got taken down and they were like "Hey, we might sue you for this" which they didn't, which was great, another person who was reading books online made a video saying "Oh, I had this book publishing company take my videos down. Don't read books online" and I was like "Oh, that's scary. I'd better stop. Nah, do you know what? It won't happen to me." And then two weeks later it just happened to me. So...
H: Yeah.
E: Word of advice if you want to start a YouTube channel: Don't, just don't read copyrighted content word for word.
H: But was that a, was that a contributor to your success would you say?
E: Yes it was, it was. That's how my channel kind of started getting big so thank you E. L. James. Thank you very much.
H: So Yeah. Well in that case then the thing that you should say is "Do do illegal things that might get you sued but stop once you get big."
E: Yes.
H: Which is really, like, that's the whole story of how YouTube got big. YouTube used to just be like Family Guy clips and Daily Show things stolen.
E: Oh, I remember those days. Yeah, when it was all just TV shows before copyright was even a thing, like... Well copyright was always a thing but I mean, like, content ID and stuff where things just get taken down now and audio gets taken out, you know. I remember those days. Oh! That's like 10 years ago now wasn't it? That's ten years, ten year anniversary this year. Oh.
H: Yeah. Yeah. And I feel like if YouTube hadn't have had those days of just, like, being a really great repository of stolen TV stuff it would never have gotten as popular as it did.
E: Yeah, I think you're probably right on that 'cause a lot of people just wanted to access quick, you know, quick clips and, uh, yeah. 'Cause I mean, the first video was a guy at the zoo, the creator of YouTube, wasn't it?
H: Yeah, yeah. One of the creators, yeah.
E: So if it was just, yeah. If it was just that or people talking on webcams in black and white for ten years I guess it wouldn't have taken off, no. I suppose you're right. That's weird. Basically, break the law kids. It's gonna be fine.
H: As long, yeah. As long as you're small enough to get away with it and then as soon as you're, as soon as you're starting to get on people's radar, run away and hide and then pretend like that never happened. And that's really, you know, the story of many YouTubers, not necessarily with copyrighted content but with doing things that are slightly maybe, you know, uh, little, little...
E: Dubious.
H: Hacks and tweaks and dubious is a good word for it.
E: Thanks. I like using that word. It's my word of the week. I have a word of the week that I never share with anybody. I just, I have an inner monologue sort of podcast going on in my head all the time. (Hank laughs) Dubious is my word of the week. It's not even a joke.
H: No, I believe you. Yeah.
E: It's just believable isn't it. Oh jeez.
H: You're gonna have a lot of opportunities to use the word dubious, I think, today just because you're gonna have a lot of opportunities to use a lot of words 'cause this is Dear Hank and John.
E: Indeed it is, or Emma and Hank this week, right?
H: Indeed. Yeah, well, I mean, as long as, if that's the way you want to say it.
E: Just wait until I can write a book and promote it round the world. And then I won't be available, then it will just be "Dear Hank & Hank"
H: Oh no!
E: And then you're in trouble.
H: Oh God!
E: I'd love to see that.
H: I would too. It'd be awful nice if I could borrow Wheezy Waiter's cloning machine and do an episode of Dear Hank & Hank because, you know, sometimes it's hard to get people on the phone, everybody's busy, but I'm not when I'm not busy.
E: That's true! But I mean I would say that there's a lot of people that say, "Oh you know, one Emma Blackery's enough" or "One John Green's enough", but I genuinely think the world could do with more Hank Greens, honestly.
H: Oh, thank you.
E: That sounds like I'm just, you know, complimenting you and just trying to make you blush, but genuinely, I think if it was a world full of Hanks, if you were to replace every other living being on this planet, I think it would probably be quite a fun place. I'd get sick of your voice, but...
H: I think it'd be super boring.
E: It'd just be, you know, things about Mars all the time, wouldn't it?
H: It'd be a lot of things about Mars. I think probably, yeah. I think that, yeah. Well the problem is that all the Hanks would want to send humanity to Mars, but none of them would want to go.
E: Yeah, I can imagine that would inhibit the process quite a bit.
H: There'd just be a lot of vomiting on the way.
E: You sure you wouldn't go? You sure?
H: Oh, definitely not.
E: Like this whole one way ticket thing that they're doing right now?
H: No, especially not with a one way ticket. I'm not much on the risking of my own life in any circumstance, and a Mars mission would be very dangerous, one. Two, I get motion sick very easily, and so weightlessness is sort of not an option for me, and three, I just like... I live in Montana, like, if I wanted a really exciting, high-stakes life, I'd move to a big city, but I don't, I like laid back, I like normal things, normal friends, and normal life, and doing the normal human American things.
E: Can I just say, if you want a life where you're just climbing big red rocks in a really dry desert, just go to Utah. Just go to Utah.
H: Oh yeah, we've got some pretty Mars like places in America.
E: Yeah, that was tough. I went to a place called Bryce Canyon which I didn't even know existed.
H: Oh, it's beautiful.
E: And, yeah. It was absolutely gorgeous. Like I genuinely preferred it to the Grand Canyon which a lot of people were really shocked by. But we had a horseback ride down the canyon and it was the scariest thing because the twists and turns were so sharp. And these horses didn't know what they were doing. Mine was a mule so, and it wasn't doing a very good job of being a horse, you know.
H: No.
E: But it was scary but it was so beautiful there, you know. So if you're into the whole red rock kind of thing but you're kind of afraid of space travel and death by alien, just go to Bryce Canyon, just go to Utah. There's a little tiny town called Moab which was absolutely beautiful.
H: Oh my go... Moab is not a tiny town.
E: It's, well, no it's not but, I mean, what we saw of it was tiny, OK.
H: Yeah, OK.
E: I could walk, I walked to the end of it and back.
H: Yeah, OK.
E: It wasn't like, it's not, like, the tiniest town but it's walkable.
H: Yeah, I live in Montana where a tiny town has, like, eight people.
E: Oh, OK. Well we don't really have those kind of towns. We call them, well we say they're villages I guess but we don't really have, like, really small towns anymore. Not that I know of.
H: Yeah, there's just not enough space for that in your country.
E: Well that's the thing. Actually, before we go on, you'd be very surprised because, you've flown to England before and you've probably looked down and the amount of green that we do have in our country, like...
H: Yeah.
E: Apparently only ten percent of our, like, land is inhabited. Seriously, it's all green.
H: Well that's a hugely high percentage on the global scale, like...
E: Well exactly. I don't know if that's actually the specific figure but I know that it's a very small amount. And, like, our politicians will have you believe "Oh, there's no room for anymore people. We shouldn't have any more immigrants come in 'cause we haven't got the room." But it's more a case of...
H: The room?
E: Yeah. They genuinely say that. But the truth is...
H: "Where're you gonna put them?"
E: Exactly. But the truth is, I guess, we don't have the money to build houses, I guess that's what they're trying to say.
H: Right.
E: But they sort of build this sort of, they build this vision of, like, the island being so heavy that it sinks, you know.
H: Can't add anymore people.
E: Exactly. "One more person and we're going down, boys. We can't have it anymore, you know." But no, but a lot of it is just, it's just green, you know.
H: Yeah. Yeah, you got a, you got a beautiful country. It's just, it's just, you know...
E: It's rainy.
H: It's much smaller and with far more people than, per unit of space than America.
E: Yeah. Like it's a lot more compressed, you know.
H: Yeah.
E: It's like drinking squash rather than just juice. It's tough. You don't know what squash is do you?
H: I do not.
E: Oh, cordial? Have you heard of cordial?
H: Nope. That's unfamiliar as well.
E: Um. It's like really really concentrated juice that you water down.
H: Oh. We call that concentrate.
E: Oh, we don't call it concentrate but there you go.
H: You got a whole new word for it.
E: This whole podcast is just me translat... Well you translating what I'm saying.
H: Well you translating what you're saying.
E: To you.
H: Yeah. To me.
E: By saying "What does this mean?" "I don't know. You're supposed to be telling me!" You know.
H: Well thank you for educating me. Do you want to hear some questions?
E: Yeah, that's kind of why I'm here. Just talking about my own country, jeez. Yes, send me some questions.