Previous: Jessica Hopper reads "Morning" by Wanda Coleman
Next: Vanessa Angélica Villarreal reads “Crossover Album”



View count:5,187
Last sync:2023-03-09 07:00
Emily Graslie reads Alison Hawthorne Deming's poem, "First Encounter Beach".

Emily Graslie:

Brought to you by Complexly, The Poetry Foundation, and poet Paige Lewis. Learn more:

11 issues of Poetry, subscribe today for $20:

Follow us elsewhere for the full Ours Poetica experience:

#poetry #ourspoetica
Hi.  I'm Emily Graslie.  I'm Chief Curiosity Correspondent for The Field Museum in Chicago and the host of The Brain Scoop, an educational YouTube channel and I picked this poem, "First Encounter Beach" by Alison Hawthorne Deming, because I realized when I was asked to contribute to this project that I don't really know very many contemporary poets, especially those that write about nature and science, so I took this as an opportunity to find some poets who write a lot about science and nature, found Alison Hawthorne Deming, and really fell in love with her poems as a blend of appreciation of the natural world, kind of examining some of the weirder aspects of nature, and putting in her own personal stories.  

First Encounter Beach

One of the spectators is disappointed
there isn't a guide to explain
the beaching, the scientists busy
cutting into ninety-four pilot whales
stranded on the salt grass.
No one knows why and, try as the rescue team
might, not one whale will go back to water.
So they're injected to speed up the dying,

lined up like lumber and sawed into,
except when the black skin splits
we can't stop staring, their meat is so red.
I don't want to know why this happens--
what parasite or geomagnetic anomaly
finished their love of motion.  Why should
anything have to leave this world
when water can cycle from atmosphere
down to land, the ocean and back
to forgiving sky.

                              I'm on my way to Connecticut
where my father has a little vegetation
on his heart valve--that's how the intern
describes it, trying to minimize
the danger of him slipping
into a haze so cold, some nights, 
bone-cold, his hand can't get from 
his plate to his mouth.  

                                       Rain slicks the highway
slowing me down.  The same water
fattened into snow in the woods
of my childhood, the whiteness
unbroken except where my father
cut trails and taught me to ski,
laying down herringbone behind him
as he broke up hills that left me
with legs made of slush.  He wanted me strong,
no patience for pain.  No choice 
but to find the muscle to follow.  Even now
when he boasts how I zigzagged
the breakneck hills in an ice storm,
there's no hint of my knee-chattering fear,
slats skittering out of control,

each run a victory of luck more than will,
each ride up the lift a prayer for my bones.
I wonder how it is now for him
there in the ward where whiteness can't hide
the cold blank that's ahead.  When the whales
beached, spectators came like pilgrims, 
each new arrival scanning the faces
of those heading back to their cars
to see how it changed them
to survey so much death.  Nothing showed.  
Their eyes followed the asphalt,
heads bent in private devotion.

                                          There in a room
where others have died, my father
keeps a record of each test and drug.
He watches medicine drip into his arm
and circle in the dark of his blood.
I believe it will heal him, as I believe
in the strength of my blood
to protect me from failures of will.  Once
when my grandmother at ninety-six
lay delirious with pneumonia, 
pitching on her high horsehair bed,
she saw three crows perched on the dresser.

            They smell so awful, she said.
Please, open the window.  Let them out.
It was my father who did what she asked.  
And the crows flew out, carrying her fever
over the treeline, dissolving into sky,
and she lived.  Whatever she saw,
by love, luck, or dumb Yankee will,
it was true.  That's what I mean by medicine.