ours poetica
Philip Metres reads “My Heart Like a Nation”
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Duration: | 03:00 |
Uploaded: | 2020-10-09 |
Last sync: | 2024-10-18 12:15 |
Philip Metres reads his poem, “My Heart Like a Nation”.
Philip Metres:
https://philipmetres.com/
https://twitter.com/PhilipMetres
Brought to you by Complexly, The Poetry Foundation, and poet Paige Lewis. Learn more: https://www.poetryfoundation.org/
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Philip Metres:
https://philipmetres.com/
https://twitter.com/PhilipMetres
Brought to you by Complexly, The Poetry Foundation, and poet Paige Lewis. Learn more: https://www.poetryfoundation.org/
11 issues of Poetry, subscribe today for $20: https://poetrymagazine.org/OursPoetica
Follow us elsewhere for the full Ours Poetica experience:
twitter.com/ourspoeticashow
instagram.com/ourspoeticashow
facebook.com/ourspoeticashow
#poetry #ourspoetica
Philip: Hi, my name is Philip Metres and I am going to read my poem "My Heart Like a Nation" for Yehuda Amichai. This poem explores my both love of Yehuda Amichai as a poet, a very humane poet, and also my wrestling with him and the ways in which his work never seemed to see Palestinians.
This contradiction at the heart of his work, his great humanity on the one hand, and yet this inability on the other hand to see what was happening, and the implications of what was happening both in the country where he was living, in Israel, and also in his own work.
My Heart Like a Nation
for Yehuda Amichai
You threw off your exile
by clothing yourself in praise,
Yehuda, saying, my nation
is alive, Amichai, in me,
inhabiting your own body,
your mother-beloved skin.
I’m hairy like you, and afraid,
like you, I’m half animal
and half angel, uncertain
where my tenderness ends
and cruelty begins. We
did what we had to do,
you wrote, which in translation
reads: [classified]
Yehuda, I want your clarity—
to love you, not close the gates
of my heart like a nation
trying to make itself a home
but winding up with a state.
Psalmist, you spoke so tenderly
of peace, but the war persists.
All I have for you is this poem:
a man photographs the sudden
undulating hills. Behind him,
a woman he loves now dreams
that their bed’s legs grow roots
beneath, overnight, and spread
a canopy of branches that shoot
pink blooms open and open,
now green with shushing leaves
that shelter and shadow the rucked
bedsheets, the branches burdened
with red apples, apples like eyes
ready to be praised
and plucked.
This contradiction at the heart of his work, his great humanity on the one hand, and yet this inability on the other hand to see what was happening, and the implications of what was happening both in the country where he was living, in Israel, and also in his own work.
My Heart Like a Nation
for Yehuda Amichai
You threw off your exile
by clothing yourself in praise,
Yehuda, saying, my nation
is alive, Amichai, in me,
inhabiting your own body,
your mother-beloved skin.
I’m hairy like you, and afraid,
like you, I’m half animal
and half angel, uncertain
where my tenderness ends
and cruelty begins. We
did what we had to do,
you wrote, which in translation
reads: [classified]
Yehuda, I want your clarity—
to love you, not close the gates
of my heart like a nation
trying to make itself a home
but winding up with a state.
Psalmist, you spoke so tenderly
of peace, but the war persists.
All I have for you is this poem:
a man photographs the sudden
undulating hills. Behind him,
a woman he loves now dreams
that their bed’s legs grow roots
beneath, overnight, and spread
a canopy of branches that shoot
pink blooms open and open,
now green with shushing leaves
that shelter and shadow the rucked
bedsheets, the branches burdened
with red apples, apples like eyes
ready to be praised
and plucked.